明代中后期朱淑真诗词的接受与批评——以杨慎、钟惺为中心

The Acceptance and Criticism of Zhu Shuzhen and Her Ci in the Middle and Late Ming Dynasty——Focus on Yang Shen and Zhong Xing

朱淑真是宋代以来与李清照并称的著名女性诗人,著有《断肠》诗词传世。朱淑真生前虽文名不甚显赫,但后人对她评价在不断地提高,从"区区宋之能文妇人"到"千秋秀阁填词祖",其文坛地位亦从南宋的边缘化上升至清代的"一流人欤"。由于批评立场以及文学审美观念的差异,朱淑真备受赞赏的同时也遭受着来自礼教道德方面的批判。本文拟通过三个部分爬梳宋至明末朱淑真及词接受的不同向度与本末源流,剖析明代中后期朱淑真接受中所产生的问题,力图还原不同文学思想对朱淑真接受程度之真实影响,从而明确她在文学史上逐步走向经典的过程。

Zhu Shuzhen is a famous female poet in line with Li Qingzhao since Song Dynasty,and her works Duan Chang Ci have been handed down to posterity. Although Zhu Shuzhen was not the famous prestigious name,the futurity evaluation of her is developing constantly. She became a female leader in the write words to given melody through the age from a woman who can just write poetry,her literary position from edge in the Nan Song Dynasty to typical people in the Qing Dynasty. She suffered criticism while she was highly appreciated because of the difference of criticism standpoint and literary aesthetic idea. This article is intended to combs the difference through three parts,analyzes the problems of the acceptance of Zhu Shuzhen from Song Dynasty to Ming Dynasty,and trying to restores the real influence of how different literary idea affect Zhu＇s acceptance and clearly defines the process of her literary history status towards classic.