“自然模仿艺术”命题的内涵、理据及其美学意义

On the Connotation,Theoretical Foundation and Aesthetic Significance of “Nature's Imitation of Art”

自然和艺术的关系是美学研究的一个重要课题,其核心问题是自然和艺术的辩证统一性。"自然模仿艺术"与"艺术模仿自然"这两个命题一同构成自然和艺术的辩证关系的两极。有关"自然模仿艺术"这一命题的内涵及其美学意义,长期以来几乎是研究的空白地带。所谓"自然模仿艺术",是自然在审美中必然显得像艺术,其美学内涵是从"自然美像艺术"的角度揭示自然和艺术的审美同一性。这一命题的理论根据是,自然欣赏必须以艺术的模式组织审美经验,自然美生成于艺术图式在自然中的投射,马克思的对象化理论和康德的先验图型论可以作为其哲学理据。深刻领会这一美学命题的内涵及其意义,为全面系统地把握自然和艺术的关系、艺术的本质乃至美的本质提供了契机。

The relationship between nature and art is an important subject of aesthetic research.Its core issue is the dialectical unity of nature and art.'Nature imitating art'and'Art imitating nature'constitute the two poles of the dialectical relationship between nature and art.The connotation and aesthetic significance of'nature imitating art'have hardly been studied in the past.'Nature imitating art'means'natural beauty is perceived as art'.Its aesthetic connotation is to reveal the aesthetic identity between nature and art from perspective of'Nature imitating art'.The theoretic foundation of'Nature imitating art'is that the appreciation of nature must be organized according to model of artistic experience and the natural beauty comes into being in the projection of artistic schema in nature.Its philosophical bases are Kant's theory of transcendental schema and Marx's objectification theory.A profound understanding of the meaning and significance of this aesthetic proposition provides an opportunity for a comprehensive and systematic grasp of the relationship between nature and art,and even the essence of beauty.