摘要
罗兰·巴特的最后十年是其一生思想的核心,其最后十年随笔似的文本真正体现了巴特个人的意趣和旨归,风格完全不同于他本人符号学时期的科学化色彩。目前,国内学界对罗兰·巴特最后十年的思想还缺乏系统性把握,笔者认为应将巴特的文本结合相关思想流变,聚焦于以往研究中被忽视的核心问题,抓住巴特思想的主线,对巴特的文本理论、主体问题、身体维度、文学新批评等进行纵向挖掘,以还原这位结构主义巨匠的多元立体形象。
Roland Barthes' last decade is the core of his life, as essays produced in his last decade reflect his real personal interest and purpose, and his then style is completely different from the scientific color in his semiotic period. At present, the domestic academic circles still lack systemic grasp of the ideas of Roland Barthes' last decade, and the author of this article thinks that Barthes'text should be combined with rheological related thought, while focusing on core problems neglected in the past research. In general, Barthes' thought is the cardinal line to dig longitudinally Barthes'theory of text, issue of main body, the body dimensions, and new literary criticism, to reduce the diverse stereoscopic image of this giant of structuralism.
出处
《解放军艺术学院学报》
2017年第2期114-118,共5页
Journal of PLA Art Academy
关键词
罗兰·巴特
后十年
多元
Roland Barthes
the last decade
diverse