试析兰晓龙“军旅三部曲”中“边缘人”形象

On Lan Xiaolong's Image of “Marginal Man” in His “Military Trilogy”

自20世纪90年代以来,军旅文学创作的着眼点越来越集中在"人"这一生命主体上。在此背景下,青年剧作家兰晓龙在其"军旅三部曲"《生死线》《我的团长我的团》《士兵突击》中,塑造了大批鲜活生动的人物群像。在这批人物群像中,"边缘人"这一族群是兰晓龙刻画得较为出色的对象。"边缘人"作为"人"的一部分,他们对生命有着较一般人更为独特深刻的体验,而他所塑造的"边缘人"的人物形象特点、其塑造"边缘人"的艺术手法及其最终达到的艺术效果,都是值得讨论和研究的。

Since the 1990s, the focus of military literature has been focusing on the subject of human life. In this context, young playwright Lan Xiaolong has created a large number of vivid characters in his ＂military trilogy＂ of The Dead Line, My Colonel My Regiment, and Soldier＇s Sortie. In this group of characters, the ＂marginal man＂ group is an outstanding one. As part of the ＂people＂, ＂marginal men＂ have more unique and profound life experience than the average people. The character image characteristics and the artistic means used by Lan are all worthy of discussion and research.