摘要
王志信的女声独唱曲《昭君出塞》具有浓郁的民族风格:歌词运用"言前辙"归韵、对偶句法及怀古咏史诗歌的创作手法;曲调为"板腔体"结构,采用民族调式,且在旋法及润腔上具有五声性特点,其钢琴伴奏显露出和声民族化取向;歌词的语调、节奏与旋律的走向、句法具有一致性,显示出词与曲的完美结合。王志信的民族声乐创作产生了较大影响,形成了当代中国歌坛的"王志信现象"。
Wang Zhixin's female solo Zhaojun Going Abroad has a strong national style in its lyrics and music and their combination. Its lyrics use the poem creation methods of rhyming method of "saying before quoting", antithesis syntax, and meditating on the past to record history. Its tune has "banqiang-style" structure, adopts pentatonic mode and shows the mode in its cycling method and richening method, and its piano accompaniment also shows nationalization of harmony. The tune and rhythm of lyrics are in accordance with the direction and syntax of melody, which shows the perfect combination of lyrics and music. Wang Zhixin's national vocal music creation has showed great influence, thus a "Wang Zhixin phenomenon" has appeared in contemporary Chinese song circles.
出处
《解放军艺术学院学报》
2017年第2期197-202,共6页
Journal of PLA Art Academy
关键词
《昭君出塞》
民族风格
王志信
王志信现象
Zhaojun Going Abroad
national style
Wang Zhixin
Wang Zhixin phenomenon