国产“公路电影”中的人物症候与治愈机制研究

A Study on the Personality Symptoms and Cure Mechanism of Domestic Road Movie

近年来国产"公路电影"的创作日臻成熟,但相异于西方公路电影中的流浪精神与反叛气质。本土"公路"更像是一场以逃离为起点,回归为终点,围绕主流价值铺设而成的环形通道。其中,现代人潜藏的心理症候是促使他们踏上旅途的直接动因,这些症候由个体到集体,相互交织且层层深入。与此同时,症候的出现也唤起了对治愈的需求。在国产"公路电影"中,治愈方的式主要包括以下两种,分别是以陌生人为镜像参照的主体完形以及以怀旧为特征的文化重寻。虽然治愈的本质只是一场犬儒主义者的自救运动,但却无形间契合了观众内在的心理需求,并使其获得了间接性的精神抚慰。

In recent years, the creation of domestic road film is becoming more mature, but unlike the wandering and rebellion in the western highway film, the local road is more like a ring channel with a starting point, a return to the end, around the mainstream value. The hidden psychological symptoms of modern people are the direct motivations that make them embark on the journey. These symptoms are organized by the individual and collective. At the same time, the emergence of the symptoms also aroused the need for healing, specific to the domestic road film which has two main path of cure, respectively, the first one is a subjective gestalt as the mirror image of the strange and the other one, is the nostalgia for the characteristics of the cultural re-find. Although the essence of healing is only a cynicism self-help movement, but intangible fit the audience's inner psychological needs, and to obtain the indirect spirit of comfort.