摘要
司空图《二十四诗品》运用以诗论诗形式,从审美的角度探讨诗歌的各种艺术风格特点。其中第十九品"悲慨",表达出了中国传统诗歌作品中蕴含的一种对天命难违的无力之悲、对时光易逝的无奈之悲,以及对事功难立的无助之悲。这种对人类普遍悲剧情感的流露,与西方经典式的悲剧有着几近完美的契合,很大程度上为中国传统的诗学理论填补上了"中国文学无悲剧"的空白。
The Poetic Studies written by Sikong Tu discusses the various artistic characteristics of poetry in a special way that explains poetry with poetry. The Grief and Indignation in the book expresses some tragic consciousness such as the powerlessness in facing the fate,the grief over fleeting time and the helplessness when one can not succeed. Such emotions are similar with those expressed in classical western tragedies. To some degree,it fills the blanks of traditional Chinese poetics,denying the view that there is no tragedy in Chinese literature.
出处
《太原师范学院学报(社会科学版)》
2017年第4期63-67,共5页
Journal of Taiyuan Normal University:Social Science Edition
关键词
司空图
二十四诗品
悲慨
悲剧风格
Sikong Tu
The Poetic Studies
Grief and Indignation
tragic style