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20世纪上半叶辽宁地区手风琴艺术发展初探 被引量:1

The Research of Accordion Art Development in Liaoning Province during the First Half of the 20th Century
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摘要 20世纪伊始,手风琴由俄罗斯侨民传入我国,后在我国民众音乐生活中逐渐普及,对我国音乐事业发展产生了重要影响。20世纪初,辽宁地区手风琴艺术活动以俄侨为主体;抗战时期,鲁迅艺术学院师生将手风琴作为抗战宣传的重要乐器,鼓舞士气,宣传抗日,凸显革命宣传职能;建国初期,手风琴艺术由群众性向专业性发展,沈阳音乐学院建立了我国第一个手风琴专业,推动了新中国音乐文化事业的发展。 At the beginning of the 20th century, accordion was introduced into China by overseas Russian. Then, accordion be- came popular in the music life of Chinese people, and it made an important effect on the development of Chinese music. In the early 20th Century, the accordion arts in Liaoning province were leaded by the overseas Russian. As an important instrument during the Anti -Japanese War, the teachers and students in the Lu Xun Art Institute played the accordion to promote troop morale and broadcast anti -Japanese. They highlighted the accordion' revolutionary broadcast function. In the initial stage of new China, accordion art developed from popular to professional. Meanwhile, Chinese first accordion major was established in Shenyang Conservatory of Music, which pro- moted the development of music culture in new China.
作者 刘鑫 伊善斌
出处 《齐齐哈尔大学学报(哲学社会科学版)》 2017年第8期150-152,共3页 Journal of Qiqihar University(Philosophy & Social Science Edition)
基金 黑龙江省哲学社会科学研究规划项目:二十世纪上 中叶俄侨音乐家对中国东北手风琴艺术的影响研究(FC120305)
关键词 辽宁地区 手风琴艺术 发展特征 Liaoning Province accordion art development features
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