摘要
20世纪90年代以来的文学记忆书写,体现了作家独特的美学追求。从思想和哲学角度切入,更能够体察作家对历史的整体认识和价值判断。作家以深切的现实生活体验和丰富的历史想象去追寻中国民族文化心理、人的生存方式以及精神世界,从而使得小说获得了实质性的艺术突破与创新。但是过分夸大作家的思想意识和剧烈思辨,或者悖逆历史的主体认知,也会导致小说的抽象化、平面化,进而丧失艺术的表现力和感染力。
Literature writing since 1990 s has embodied the writers' unique aesthetic pursuit. Researching from the perspective of thought and philosophy, we can better understand the writers' holistic understanding of the history and judgment of its value. With profound life experience and rich imagination, writers explore the cultural psychology of Chinese nationality, and the survival mode and spiritual world of man, which has enabled their novels to get substantial breakthrough and innovation. However, over-exaggeration of writers' consciousness and sharp intellectual analysis or contradiction to historical subject cognition will lead to abstractness and complanation of novel, and thus further lose its artistic expressiveness and infectivity and is of representative significance.
出处
《长江师范学院学报》
2017年第4期90-95,共6页
Journal of Yangtze Normal University
基金
2016年教育部人文社会科学研究规划基金项目"族群互动与乌江流域乡村戏剧研究"(16YJAZH077)
长江师范学院高层次人才引进科研启动项目"当代西南地区多民族文学生态研究"(2013KYQD04)
关键词
90年代小说
文学记忆
思想深度
美学追求
novels in 1990s
memory of literature
depth of thought
aesthetical pursuit