浅论袁可嘉“新诗现代化”与英美新批评的“中国化”

Yuan Kejia's Modernization of New Poetry and the New Criticism in China

20世纪四十年代的中国诗坛,以卞之琳为代表的现代诗派和穆旦为代表的九叶诗派拉开了新诗现代化的序幕,"九叶"之一的袁可嘉不仅创作诗歌,同时还建立了自己的诗论体系。在西南联大学习期间,袁可嘉的创作和研究兴趣从西方浪漫派诗歌转到现代主义诗歌,新批评理论对其产生了重要影响。从袁可嘉诗论中心"新诗现代化"入手,探寻新诗现代化与英美新批评理论的渊源,并讨论袁可嘉如何将英美新批评理论"中国化"。

In the 1940 s,Chinese poetry circle represented by Bian Zhilin and the Nine Leaves School represented by Mudan opened the prelude to the modernization of the new poetry.Yuan Kejia,one of the＂Nine Leaves＂,not only created poems but also established his own System of poetics.During his study at the Southwest Associated University,Yuan＇s creative and research interests shifted from Western romantic poetry to modernist poetry,and New Criticism had a significant impact on it.This paper attempts to explore the origin of new poetry modernization and New Criticism from Yuan Kejia＇s ＂New Poetry Modernization＂,and discusses how Yuan Kejia transformed new criticism theory into Chinese context.