摘要
一直以来,电影的物质基础都被认定是一种记录影像的机械过程,亦即光线反射到一个感光的化学表面上,但是在数字影像时代里,数字技术给电影的真实观、语言和叙事方式及观看方式都带来了革命性的影响,关于"电影是什么"这个本质问题又被以新的方式重新探讨。数字影像编辑的奇观化倾向带给观众新的审美体验,但这种虚拟的真实并非电影艺术的本性,更不能成为影像的主要形态或终极目标。
The material basis of the film has been always identified as a mechanical process of recording images,that is,light reflected to a photographic chemical surface,but in the digital imaging era,the digital technology have brought a revolutionary influence,to the film's true view,language and narrative or the way in which they are viewed,So the essential question of " what the film is" has been revisited in a new way.The marvelous tendency of digital image editing brings the audience a new aesthetic experience,but this virtual reality is not the nature of film art,And it can not become the main form or the ultimate goal of the image.
出处
《成都理工大学学报(社会科学版)》
2017年第5期100-103,共4页
Journal of Chengdu University of Technology:Social Sciences
基金
2015年度四川外国语大学校级科研项目"新媒体语境下电影‘杂耍式’影像机制研究"的阶段性成果(sisu201539)
关键词
新媒体
影像编辑
奇观
审美
new media
image editing
spectacle
aesthetic