论汉俳创作的困境与出路

A Study of the Difficulties and Suggestions of Chinese Haiku

作为日本俳句在中国的变异，汉俳越来越受到重视并逐步走向兴盛，但它也存在三个明显的问题：和俳句之间“音”与“字”的不对等，分行对俳句形式的解构，在内容上缺乏“俳意”。只有在字数上灵活处理，在形式上坚持“一句不分行”的原则，在内容上回归“俳意”，汉俳才能提高创作水平，走出困境。

As a variation of Japanese Haiku, Chinese Haiku, to which has been at- tached great importance,is thriving increasingly today. However,it is stiU facing the fol- lowing apparent problems： pronunciations and words between Chinese Haiku and origi- nal Haiku can＇ t be equal; the splitting line of Chinese Haiku breaks the form of Haiku ; and Chinese Haiku lacks the lingering charm of Haiku in coment. Only by being flexible in number of words, persevering the rule of one sentence without splitting line in form, and attaining the lingering charm of Haiku in content, can Chinese Haiku promote the level itself and find the way out of difficulties.