符码:想象的公共表象——以维科、阿伦特为中心论心性#1#秩序的融合是如何可能的

Cultural Code: The Public Image of Imagination

作为想象的公共表象,符码可以为心性—秩序、个人—社会的融合提供一种分析范例。维科的民政神学,通过"想象性的类概念"和"以己度物的比喻",阐释了人类共同意识的起源,展现了诗性智慧对于共同体的心体意义。这对主体性哲学分化表象与存在的趋向具有批判性意义;阿伦特关于"范例"的观念通过特殊表象的交互共通而将具体与普遍相连接,从而达致可公度性的效力。这提供了理解想象机制如何由审美感通(心体)走向社会共通的路径。想象符码"亲在—绽现(Dasein-ekstasis)"的存在样态不同于说教、规训的知识论策略在于:符码历史生发于"共同意识"和"公共交往",植根于对个体生命的提升以及与他者的融通,借以展现了审美共通感的公共哲学意义。

Cultural code,as the public image of imagination,provides an analytical model for the integration of mind and social order. Vico＇s civil theology,through the ideas of ＂imaginative concept ＂and the ＂metaphor ＂,explains the origin of human common sense,and shows the meaning of mind that the poetic wisdom brings to the community. Since the emergence of subjectivity philosophy,this has critical significance for distinguishing image from being itself. Arendt＇s idea of the＂exemplary＂combines the concrete and the common by special images＇ interactive communication,thereby achieving a common commonality.This is how the mechanism of the imagination progresses from the common sense of the aesthetic to the social community. The cultural code of the public image is different from the didactic and disciplinary epistemology in that the cultural code exists in the＂common sense＂and＂public communication＂,and is rooted in promoting one＇s life and opening to others,thereby demonstrating the public philosophical significance of ＂aesthetic common sense＂.