纯粹的美与无形的善——朱光潜文艺与道德关系论

Literature and Moral Relat Pure Beauty and Invisible Goodness——Zhu Guangqian's Theory of Ions

朱光潜对文艺与道德关系的讨论建立在对形式派美学批判继承的基础之上,他将美感经验置于整个审美活动和社会活动的大背景下,辩证地提出了"凡一流的艺术作品大半都没有道德目的而有道德影响"的文艺功利观。朱光潜灵活运用调和折中的方法,弥补了文艺寓道德教训说和文艺独立自主说各自的不足,既维护了艺术作品的审美独立性,又肯定了其无形之间产生的道德影响。朱光潜文艺与道德关系论不仅反映了他通过文艺改造社会人生的愿望,更具有深刻的理论意义和方法论意义。

Zhu Guangqian＇s discussion of the relationship between literature and morality is based on the inheritance of formal factional criticism. He puts aesthetic experience in the background of aesthetic activities and social activities,dialectically,＂all the first-class works of art Most have no moral purpose and moral influence＂of the literary utilitarian view. Zhu Guangqian used the method of reconciling and compromise to make up for the lack of moral theory of literature and art and the independence of literature and art,which not only ensured the aesthetic independence of art works,but also affirmed the moral influence of its intangible. Zhu Guangqian＇s theory of literature and morality not only reflects his desire to transform social life through literature and art,but also has profound theoretical and methodological significance.