论香港邵氏电影对《聊斋志异》的喜剧化影像诠释——以影片《狐鬼嬉春》为中心

On Comic Adaption of Movies on “Strange Stories from a Chinese Studio”——“Hu Gui Xi Chun” Made by “Shaw Brothers(Hong Kong) Limited”

作为香港电影发展史上的重要电影企业,邵氏兄弟(香港)有限公司曾投资拍摄了一系列根据小说《聊斋志异》改编而成的电影作品,而将《聊斋志异》多篇爱情故事的人物、情节加以杂糅、铺衍的影片《狐鬼嬉春》则是对这部古典巨著加以喜剧化改编的重要作品。该片不仅通过对《聊斋志异》中"才艺生情"模式的诙谐性戏仿体现出些许后现代主义的文化表征,亦在人性弱点的善意讽刺中传达了道德劝诫的思想旨归,并由此折射出上世纪七十年代的香港电影对于《聊斋志异》进行喜剧化影像诠释的独特社会、文化语境。

As an important film company in Hong Kong, ＂Shaw Brothers （Hong Kong） Limited＂ produced a series of movies adapted from the novel ＂Strange Stories from a Chinese Studio＂. As a movie from several love stories of ＂Strange Stories from a Chinese Studio＂, ＂Hu Gui Xi Chun＂ adapted by the comic way. The movie not only reflected some aesthetic characteristics of the post-modernism culture through comic parodying on the model ＂love because of talents＂ but also admonished people about morality through well-meaning satire about human weakness which reflected the social and cultural context where the Hong Kong movies made the comic adaption on ＂Strange Stories from a Chinese Studio＂ in 1970s.