“感时忧国”论与海外中国现代文学史书写——从夏志清到王德威中国现代文学史叙事之比较

“Obsession with China” and the History of Chinese Modern Literature——A Comparative Study of Narration of the History of Chinese Modern Literature by Xia Zhiqing and Wang Dewei

20世纪60年代以后,海外华裔学术界中国现代文学史的研究取得丰硕成果。夏志清的《中国现代小说史》以"感时忧国"为20世纪中国文学现代性的核心思想意涵,同时以西方"新批评"理论为审美标准,使其文学史叙述具有开创范式意义。李欧梵在"感时忧国"大传统下,对中国现代文学的个性主义、浪漫主义展开研究。王德威则以非历史主义的"假想叙事",视晚清小说自发而杂芜的"求新求变"之"众声喧哗",为中国文学现代性的真正起点,从而颠覆"五四"新文学相应的历史地位。秉持截然不同的现代性核心意涵,便构建出完全不同历史景观的"中国现代文学史"来。

Since 1960s,studies on the history of Chinese modern literature by the overseas Chinese standards,A modernity scholars abound.Chinese Applying the western by New Criticism as the aesthetic essence History of Modern Fiction written Xia Zhiqing conveys the of of Chinese century,that is,'Obsession with China',serving as a precursor of the Literature narration the in of the 20th with China',Li Oufan Wang literary history.Basing on the tradition'Obsession studies individualism and romanticism of Chinese modern literature.Dewei applies pursuit non of-historismus’s narration,considering fictional the spontaneous and miscellaneous novelty the cacophony,marking and the difference of the the fiction in of the late Qing Dynasty as the rising starting Literature,thus completely for modernity New Chinese point overthrowing the historical position of modernity,they May Fourth Literature.different With different core meaning from of construct completely history of Chinese modern literature different historical perspectives.