从“视觉转向”到“听觉转向”——兼评重建视听平衡的《中国叙事学》

From “Visual Orientated” to “Auditory Orientated”——A Review of the Reconstruction of Chinese Narratology of Visual and Auditory Equalization

图像文化的风生水起是一个全球化文化现象,中国学者也不失时机地在理论上作出了积极回应。不少当代学者都密切关注过视觉文化且多有精彩论述。在相关问题上的反思与评判方面,呼唤"听觉文化"觉醒以对抗"视觉文化"侵袭的理念尤为值得关注。以傅修延为代表的中国学者在"听觉文化"领域的深耕与广拓,可谓卓有成效且成绩斐然,例如其《中国叙事学》从"转换研究范式""更新既有观念"等方法入手,"回望中国叙事历史自身的传统",超越西方经典与后经典叙事之"影响迷雾",以融贯中西、守正创新的胸怀,试图在视听严重失衡的背景下重构中国叙事学的当代形态,在对"重听""音景""聆察"等概念与范畴的创造性阐发过程中,为重建"视听平衡"的中国叙事学、弥补听觉之维的缺失做出了有益的探索。

The flourishing of the image culture is a global cultural phenomenon,and many Chinese scholars have seized the moment to respond positively to it in theory. Many modern scholars have paid close attention to the visual culture and made a lot of brilliant analysis. In the aspect of reflecting and judging of relative issues,the idea of calling the awakening of ＂auditory culture＂to confront the invasion of ＂visual culture＂is particularly noteworthy. The Chinese scholars represented by FU Xiuyan have made in-depth and extensive studies in the field of ＂auditory culture＂,and have made brilliant achievements. For example,In FU Xiuyan’s Chinese Narratology,he uses such methods as＂shifting research paradigm＂＂updating the existing concept＂,etc. to＂retrospect the tradition of Chinese narrative history＂,and surpass ＂the effect of fog＂of Western classical and post-classical narrative,tries to reconstruct the contemporary form of Chinese narrative under the background of audio-visual imbalance by the mind of combining Chinese and Western,conserving the integrity and innovating,in the process of making creative elucidation of concepts and categories like ＂focus on hearing＂＂soundscape＂＂auscultation＂,he has made valuable exploration to reconstruct Chinese Narratology of visual and auditory equalization,and remedy the deficiency in auditory dimension.