摘要
创作于1929年的《蟹工船》在2008年以来被广泛阅读并触发了读者的共鸣,引发了所谓的"蟹工船现象"。这种具有鲜明时代印记的作品被重读,原因在于当下日本的社会现实与1920、1930年代呈现出高度一致的互文性。我们就蟹工船的阶级构成、严酷的饮食与环境、血与泪的资本主义生产、作为资本主义暴力工具的帝国军舰4个方面分析小林多喜二对资本主义的批判,并透视该作品在当今社会和世界语境下的现实意义。
Kanikosen written in 1929 has been widely read and recalled the readers' same feeling. It leads to the 'Kanikosen Phenomenon' in recent years. This work with the distinct characteristic of 1920 s and 1930 s is reread because the social reality of Japan today has the intertextuality with 1920 s and 1930 s. This paper analyzes Takiji Kobayashi's criticism of capitalism from the class form, brutal food and surroundings, capitalistic produce without humanities and empire warships as the capitalistic violence instrument. This paper also expounds the social meaning of the work today.
出处
《长江师范学院学报》
2016年第6期82-86,共5页
Journal of Yangtze Normal University
基金
2015年北京市社会科学基金重大课题"中国近百年外国转译著作的资料整理与研究"(15ZDA34)
关键词
蟹工船
现实
互文性
社会意义
Kanikosen
reality
intertextuality
social meaning