超越情怀与诗意建构的结合——从与金斯堡的比较看塞林格对“纯正的禅”的捍卫

The Combination of Transcendental Sentiment and Poetic Construction:On Salinger's Pure Zen by the Comparison with Ginsberg

二十世纪五、六十年代的塞林格和金斯堡出于对禅宗的痴迷,将目光聚焦于最能被触动并为己所用的禅机佛理上,理解与探求角度的相异带给他们及其作品以不同的气质和风格。如果说金斯堡诗歌中的禅家况味更多体现为无遮无碍的狂欢化,那么塞林格小说中的禅意则趋向深沉恬淡、旷达安然。特别是在此时期的中短篇小说中,塞林格视以金斯堡为代表的"垮掉派"为"禅宗杀手",并以对禅的体悟和诗性化的艺术表达方式捍卫自己所倡导的"纯正的禅",从而使作品成为超越情怀与诗意建构的结合。

In the 1950s and 1960s, Jerome David Salinger and Alien Ginsberg, both obsessed with Zen, began to focus on the doctrine of Buddhist Zen which touched them mostly and could be used. Their different perspectives in interpreting and exploring Zen shaped their different temperaments and writing styles. Zen in Ginsberg＇s poetry embodied the direct camivalization, whereas that in Salinger＇s novels, the profundity, peacefulness and broad-mindedness. In this period, Salinger viewed the Beat Generation represented by Ginsberg as the Zen-killer in his novelettes and short stories. He defended his pure Zen by experiencing and understanding it, and applying the poetic expressions, which all contributed to the combination of transcendental sentiment and poetic construction of his works.