范稳“藏地三部曲”中“宗教救世”倾向的反思

Reflection of “Religious Salvation” in Tibet Trilogy by Fanwen

范稳"藏地三部曲"从宗教视角描写不同民族、文化之间的冲突与交融,高举宗教信仰对爱情、对人生的拯救,对当代社会问题的解毒作用,对宗教的书写与探索达到了新的高度。但由于对宗教在历史中沉淀下来的负面因素净化不足,显示出一些值得反思的倾向:恶之力量如何在宗教自身中得到清洗、净化的过程与思考被省略,善的力量显得脱离文化土壤、孤悬虚空;对神性的过度高扬,导致人物形象抽象化、符号化和对人性的压抑、扭曲;高扬宗教拯救功能,导致将其绝对化与虚无化,叙述历史时弱化了反思与批判的深度,展望新生与未来时显得神秘、虚幻。

Fanwen＇s Tibet Trilogy describes the collisions and integration of different ethnic and cultural groups from the aspect of religion. It highly praises religion＇s redemption for love and life and insight to social problems, providing profound description of and exploration to the function of religion. However, the inade- quate purification of religion＇s negative factors brings out some reflections ： （i） the power of evil purified in the religion is not fully considered and discussed, which makes the power of the goodness appear to be sepa- rated from the cultural foundation and thus look void ; （ii） the undue praise of the divinity leads to the ab- straction and signifying of the character images and further the repression and distortion of human nature; （iii） the religious redemption is over- emphasized, leading to its absolutization and nothingness weakens the profundity of the introspection and the criticism in describing the history, and makes it ous and fantasy in forecasting the rebirth and future.