摘要
《邀舞》的诞生标志着西方音乐史上标题音乐思潮的到来。借助标题对故事情节立意的构建,以音乐语言独有的审美魅力进行叙述和表达,是这首作品的显著特征,由此使得具有客观性质、富有抽象意义的音乐语言充满了具体的形象色彩。以标题与音乐之间的关系为切入点,以音乐语言的本体分析为核心,简要论述《邀舞》的艺术审美价值。
The birth of Invite marks the western music history the arrival of the title music thoughts. With the title of the story plot conception of build,with music language unique aesthetic charm in narration and expression,constitutes the striking feature of this work. Thereby they have objective nature,rich abstract sense of the music language is full of specific image color. With the title and the relationship between the music as the breakthrough point,and music language ontology analysis as the core,it briefly discussed the aesthetic value of the journal to dance in the paper.
出处
《蚌埠学院学报》
2017年第4期60-63,共4页
Journal of Bengbu University
基金
安徽省人文社科重点项目(SK2017A0477)