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后审美·泛审美·反审美——网络诗歌的三个审美维度 被引量:1

Three Aesthetic Dimensions of Network Poems:Post-aesthetic,Pan-aesthetic and Anti-aesthetic
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摘要 后审美、泛审美、反审美是网络诗歌审美的三个重要维度。后审美探索着眼于精英审美、大众审美相融合和青年亚文化审美隐喻的存在,泛审美强调身体写作、审美趣味世俗化成为网络诗歌审美主要特征,而反审美的探讨则触及审丑、恶搞对网络诗歌审美范畴的扩大化。网络诗歌与传统诗歌正由对立走向融合,以多元化的审美姿态审视网络诗歌将对当代中国诗歌的可持续发展大有裨益。 Post-aesthetic,pan-aesthetic and anti-aesthetic are three important dimensions of network poems.The exploration of post-aesthetic focuses on the integration of elite and mass aesthetic and metaphors in youth subculture.Pan-aesthetic emphasizes that the body writing and secularization of aesthetic taste become the main features of network poetry aesthetic,while the discussion of anti-aesthetic touches the ugliness and parody of the expanded network poetry aesthetic category.Network poems and the traditional poems are moving toward integration from opposition.Using a diversified aesthetic attitude to look at the network poetry will be a great help for the sustainable development of the Chinese contemporary poetry.
作者 张翠
出处 《南京晓庄学院学报》 2017年第3期66-71,共6页 Journal of Nanjing Xiaozhuang University
关键词 网络诗歌 后审美 泛审美 反审美 network poems post-aesthetic pan-aesthetic anti-aesthetic
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