许学夷的“声气”说

Xu Xueyi's “Sheng Qi”

许学夷的"声气"之"声"多指诗之声调与音韵、"气"多指诗人的主体之气和诗所呈现的整体之气。他虽认为"气"本而"声"末,但又主张在诗歌作品中调和、融通两者,达到一种保合大和的中和之美。许氏关于诗歌声音的讨论是明代复古诗学中声调论的后续发展,推崇唐人声气,并继而第一次从声音的角度上具体提出"声体"概念,既从体制上、又从自然声律与人为声律上回应了明代声调论思想。

＂Sheng＂ ofXu Xueyi＇ s ＂ShengQi＂ refers to the poem tone and rhyme, ＂Qi＂ refers to the main body of the poet and poetry of the whole gas. although he believes that the ＂gas＂ being original and ＂Sheng＂ being tip, but also advocates to harmony and accommodate the two in the poetry, ~ached the beauty of neutralization. Discussion on poetry sound of Xu Xueyi is on the subsequent development of Hui Ming Dynasty retro tone poetics, respected Tang voice and gas, and then firstly put forward ＂ShengTi＂ concept, which is respond to the Ming Dynasty tone theory from the system and the natural rhythm.