何所皈依何所悟——金基德《春去冬来》的叙事空间

Where to Convert to and What to Comprehend——On the Narrative Space in Ki-duk Kim's Spring,Summer,Fall,Winter...and Spring

从空间与叙事、空间与人物、空间的隐喻三个方面来分析电影《春去冬来》。极强的隐喻色彩背后是导演金基德对当代反理性的思想潮流的担忧,更是对当代人在欲海中漂泊命运的深切悲悯,电影呈现出浓厚的人文情怀。

This thesis, taking the perspective of narrative space, analyzes Ki-duk Kim＇ s Spring, Summer, Fall, Winter... ana bprmg mainly from the three aspects of space and nm＇rative, space and character, and the metaphors in space. Behind this st^ng metaphorical color, there are director Ki-duk Kim＇ s worries about the contemporary anti-rational trend of thoughts as well as his deep sympathy towards the wandering contemporary people in the ocean of lust. The entire film reveals intense humanistic sentiments.