藏族电影的符号表征--以万玛才旦的《塔洛》为例

Symbol Representation of Tibetan Films——A Case Study on Ta Luo from Wan Ma Cai Dan

万玛才旦执导的电影《塔洛》是一部带有浓重藏地文化符号色彩的电影,它的成功与电影创作中的文化符号应用是分不开的。《塔洛》真正向我们传达的是藏族文化在全球化语境中被世俗化的命运,资本的入侵和现代化的进程对藏族人民和藏族文化的改变,藏族人民在被改变过程中的不适和精神世界的迷茫等。

Ta Luo is a film that carries a strong culture symbol of Tibet from Wan Ma Cai Dan, its success is inseparable from the application of culture symbol in film creation. Ta Luo really communicates to us that Tibetan culture is secularized in the context of globalization, the invasion of capital and the process of modernization have changed the Tibetan and Tibetan culture, and the Tibetan people in the process of change suffer from the confusion of spirit world.