摘要
"射日—奔月"神话故事的重述过程中,后羿、嫦娥的主人公角色地位逐渐置换,人物形象不断变化:后羿沦落为跌落的神祗、末路的英雄,嫦娥则代表反叛的人类,成为追寻的象征。后羿和嫦娥形象的演变过程,彰显了作家身处不同历史时期对"人"的观念的不同解读,折射出"五四"新文化运动以来文学价值取向不断变化的过程。
In the restatement of the fairy tales Hou Yi and Chang E,the main characters of Hou Yi and Chang E are gradually replaced and their images are constantly changing: Hou Yi has declined to be a fallen god and a dead hero,while Chang E,on behalf of the rebellious,has become the symbol to be followed. The evolution of the images of Hou Yi and Chang E highlights the different interpretations on the concept of human being in different historical periods and reflects the process of the changing literary values since the May fourth new culture movement.
出处
《扬州教育学院学报》
2017年第2期28-32,共5页
Journal of Yangzhou College of Education