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认知诗学的“可能世界理论”与《星七》的多重主题

Reading Multiple-Themes in Star Wars:The Force Awakens Based on Possible Worlds Theory
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摘要 《星球大战》系列电影是世界电影史的里程碑,也是表达美国当代文化内涵的重要载体。从认知诗学角度解读该系列电影的最新力作《星球大战·原力觉醒》(简称《星七》),能为学界理解美国当代文化内涵提供新视角。该片创建了蕴含时空联系和内在逻辑联系的、既相互关联又相对独立的多重可能世界;多重世界蕴涵多个主题。多重世界通过4个话语表征和功能表征,以实现相互之间的联结与通达,进而使整部影片既具有史诗般宏大的文化内涵,又彰显出电影艺术的多样与统一。 Star Wars is considered as milestone in the world film history and is also an important means of embodiment of current American culture. Based on the possible worlds theory to explore the various themes of Star Wars: the Force Awakens,which is the latest film of this film series provides new perspective to understand the connotation of the current American culture. Star Wars: The Force Awakens builds up a global possible world which contains various interconnected but relatively independent local possible worlds with time-space and internal logical connection. Various worlds imply multiple themes and these worlds are interconnected by four functional-advancing elements so as to make the film epic in scope and rich in implication.
作者 杜军
出处 《西南科技大学学报(哲学社会科学版)》 2017年第2期55-61,83,共8页 Journal of Southwest University of Science and Technology:Philosophy and Social Science Edition
关键词 认知诗学 可能世界理论 《星球大战·原力觉醒》 多重主题 多重世界 Cognitive poetics Possible worlds theory Star Wars The Force Awakens Multi-themes Multi-worlds
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