《普埃布拉情歌》的第一人称叙事策略

The Strategy of the First-Person Narration in Arráncame La Vida

《普埃布拉情歌》采用第一人称叙事的策略,一方面在人物内视角与叙述者外视角的切换中不断制造悬念,有效推动故事情节的展开;另一方面又在经验自我与叙述自我两种眼光的交织中构成一种矛盾的价值选择和模糊的道德表象。这种巧妙结合,使女性在感知和言说的双重层面,真正实现话语的回归,又在看似个人化的矛盾故事叙述中,微妙地表现女性在爱与恨、共存与反抗、欲求和挣脱、自我欺骗和欺骗他人中艰难求存的生之选择,从而突显女性边缘化反抗的主题。

By use of the strategy of first-person narration, on the one hand, Arrancame La Vida creats suspenses under the transition of character＇s internal perspective and narrator＇s external perspective, on the other hand, it builds a contradictory value option and ambiguously moral imagery among the interweaving of visions of the experiencing self and the narrating self. Above all, the ingenious combination helps women get he discourse power back in double levels of perception and discourse. In addition, in the seemingly personal contradictory story-telling, it slightly reveals women＇s choices in love and hate, complicity and rebellion, desiring and escaping,self - deception and deceiving others in order to highlight the theme of women＇s boundaries of rebellion.