电影社会学视阈下人的社会反思与身份认同——试析《踏血寻梅》

Social Reflection and Identity in the Perspective of Film Sociology: An Snalysis of Port of Call

本文运用电影社会学批评理论,以翁子光的《踏血寻梅》为研究对象,通过影片独具风格化的批评视阈和审美功能的建构,真实地再现了边缘小人物的生存困境与内心世界,从而引发观众对社会问题和人性的深刻反思。同时,电影的社会属性也赋予了电影丰富的文化内涵与多重身份,导演不仅真实地还原了香港社会的原貌,同时也从文化和历史的制约性角度对错综复杂的个体身份与香港文化进行了深入的探讨,抒发了自己深厚的人文关怀。

This paper analyzes Philip Yung Chi-Kwong＇s Port of Call from the perspective of film sociology.Through the perspective of film criticism and the construction of aesthetic function,it focuses on the marginal＇s survival and his inner heart,which aouses the aduience＇s deep reflection on the social problems and human nature. At the same time,the social nature of film is endowed with abundant cultural connotation of film with multiple identities. The director is not only shows us the real original feature of the Hong Kong society,but also touches upon the culture and history of complicated individual identity and Hong Kong culture. Such expresses his profound humanistic care.