从新诗编选的四次高潮看百年新诗观念的历史变迁

Analyzing Perspective of Hundred Years of Modern Chinese New Poetry from Four Peaks in Compiling of New Poetry

中国现代新诗的百年编选历程出现过四次高潮,都具有自身的时代特色并与中国现代诗学的变迁紧密相连:20世纪初的编选属于开创期,是对文学革命的宣传、捍卫和初步总结;50年代则是在国家意志的支配下,对新文学传统的重新定位;90年代则是在美学热、回归文学本位的背景下,总结20世纪中国文学而对新诗进行的梳理;21世纪以来的编选则更加多元,也更富有深度,是对百年新诗的系统总结,在美学标准与历史标准间把握好尺度,是当今新诗编选面临的普遍问题。

The course of hundred years China new poetry appeared four peaks which have its own features and changes and China modern poetry theory are closely linked： First, at the beginning of twentieth Century the founding period is to belong to literary revolution, anthologies were used for propaganda, defense; Second, in 1950s the country dominated the narrative of modem Chinese literary tradition; Third, in 1990s,under the background of regression to aesthetics and literature standard, people went to summarize 20＇h century Chi- nese literature which including new poetry; Finally, since twenty-first Century is compiling more diverse, more in-depth, systematic summary of the hundred years of modem poetry, a better grasp of the scale in the history of aesthetic standards come into being.