期刊文献+

20世纪中国艺术精神的时代性与开放性 被引量:1

The Times and Open Features of Chinese Art Spirit in the Twentieth Century
下载PDF
导出
摘要 中国艺术精神是中国美学现代转型的核心概念。20世纪初,中国学者在中西会通中开始了中国艺术精神的阐释与创新之路。20世纪30年以后,马克思主义美学和艺术理论弘扬了革命主义的崇高精神和社会主义的现实主义精神。改革开放以来,中国艺术精神在多元化发展中重新定位,既注重传承传统美学精神,又注重与现代西方美学、艺术流派的会通,走上了健康理性的自我建构之路。 Chinese art spirit is the core concept of modern transformation of Chinese aesthetics. At the beginning of the twentieth century, Chinese scholars began to explain and innovate the Chinese art spirit in the way of making a comparison between Chinese arts and western arts. After thirty years in the twentieth century,Marx's aesthetics and art theory carry forward the lofty spirit of the revolutionary and the spirit of socialism. Since the reform and opening up,the Chinese art spirit in its diversified development process are repositioned,both focus on the traditional aesthetic spirit,but also focus on modern western aesthetics and art schools. Chinese aesthetics has finally embarked on a healthy and rational self-constructing road.
作者 李春娟
出处 《合肥学院学报(综合版)》 2017年第4期58-64,共7页 Journal of Hefei University:Comprehensive ED
基金 国家社科基金项目"现代新儒家美学的现代性研究"(14BZX108)
关键词 中国艺术精神 中西会通 实践美学 现象学 Chinese art spirit Chinese and Western interconnectivity practical aesthetics phenomenology
  • 相关文献

参考文献4

二级参考文献8

共引文献16

同被引文献19

二级引证文献1

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部