摘要
阿多诺是法兰克福学派的主要代表,他在马克思商品拜物教理论和卢卡奇物化理论基础之上形成了自己的文化工业批判理论。文化的本质特征应该是自由和创造性,但是在西方发达工业社会背景下,文化也产生了异化,丧失了本身的独立性,成为了资本主义维护自身统治的工具,阿多诺对此展开了深刻的批判,他关于文化工业的深刻分析对于我国文化产业的发展具有重要的参考价值。
Adorno,as the main representative of the Frankfurt school,formed his own critical theory on cultural industry out of Marx's Commodity Fetishism theory and Lukacs' Reification Theory. Culture should be of freedom and creativity. However,in the developed industrial western society,the essence of culture has changed and lost independence,becoming ruling tool of the capitalism,therefore,severely criticized by Adorno. His analysis on cultural industry has significant reference value for the development of China 's cultural industry.
出处
《湖北第二师范学院学报》
2017年第6期45-48,共4页
Journal of Hubei University of Education
关键词
阿多诺
文化工业
批判理论
Adorno
cultural industry
critical theory