从“时代号角”到“艺术本体”的中国现代木版画

Modern Chinese Prints from the Clarion Call to Art Itself

中国现代木版画在中国艺术史上意义非凡。自新兴版画诞生那天起,就与中华民族的解放事业息息相关,在思想传播上发挥了巨大的作用,成为时代的号角。艺术家们在持续近百年的木版画创作中,紧随时代,将文艺与人民群众生活结合、与中国传统艺术结合等等,力求创作出时代精品。当下则更以开放的姿态、艺术的视野,兼容并蓄,由现实印迹逐渐走向了艺术本体,以创造美为目的,实现了中国现代木版画从时代号角到艺术本真的回归。

Modern Chinese prints have played a significant role in the history of Chinese art. From the very day of its birth, New Print, spreading revolutionary ideas and being the clarion call of the times, has been closely linked to the liberation of Chinese nation. Within almost a hundred years, printmakers continue to keep abreast of the times through combining art with people＇ s daily life and traditional Chinese art, while now they adopt a more open and in- elusive way to create works. Modern Chinese prints have created a new way by returning to the traditional Chinese art, and thus transformed to art itself from the clarion call.