民族文化语境与中日“郑成功文学”郑母形象的变迁

Changing Image of Zheng's Mother in Sino-Japanese“Zheng Chenggong Literature”and the National Cultural Contexts

郑成功作为中日关系史上的重要人物,其母也备受中日学界关注。以中日"郑成功文学"为研究对象可以发现,在民族文化语境影响下,中日两国对郑母的身份认同呈现出实像与虚像交织的特点,中日"郑成功文学"中郑母形象的变迁也表现出不同的特征与差异。其中,作为日本代言人的女性形象为日本"郑成功文学"所特有,而自立的女性形象和贤妻良母的女性形象则是中日"郑成功文学"共有的形象特征。中日"郑成功文学"中郑母形象的形成体现了明显的时代、政治及文化印记。

Zheng Chenggong was an important figure in the history of Sino-Japan relationship, whose mother was one of the focuses of the academic circle in the two countries. Taking＂Zheng Chenggong literature＂in China and Japan as the object of study, it can be found that in the two countries the identity of Zheng＇s mother was interwoven by facts and fictions, and the changing image of Zheng＇s mother has shown different features in the two countries. The image of Zheng＇s mother as a Japanese female specially belong to Japan＇s ＂Zheng Chenggong literature＂. But the image of Zheng＇s mother as a self-independent and virtuous wife and mother was commonly shared by China and Japan＇s＂Zheng Chenggong literature＂. The obvious imprint of time, politics and culture has helped to form the image of Zheng＇s mother in＂Zheng Chenggong literature＂in the two counties.