摘要
《路边野餐》是一部充满魔幻气息的电影,它有意淡化情节,将许多重要线索都置于后景,这需要观众通过一种主动的方式去还原情节的大致样貌。影片用一种自我隐藏的方式,将主题融进散淡的情节和晦涩的意象之中,故意制造一种解读的距离和观赏的疏离感,从而引导观众以一种理性的方式去触摸影片中人物的内心情绪。同时,影片通过色调的选择、影调的处理、长镜头的运用、场景的选择、意象的重复出现,帮助观众最大限度地拓展审美经验。
Kaili Blues is a film full of magic atmosphere. The elliptically edited narraUve and clues spread across various scenes require the audience to restore the story in an active manner. It fuses the theme into the scattered plots and the obscure images in a self-concealed way, deliberately creating a distance for interpretation and the sense of alienation so as to guide the audience to read the inner feelings of characters with reason. Throughout, its skillful use of tone, long shots, scene selection and recurrent images helps the audience maximize their aesthetic experience.
出处
《湖南大众传媒职业技术学院学报》
2017年第4期5-9,共5页
Journal of Hunan Mass Media Vocational and Technical College
关键词
《路边野餐》
情节
时空
意向
Kaili Blues
plot
time and space structure
intention