摘要
虽然客家文化与土楼文化研究成为人类文化学研究的一个受人关注的议题,但目前研究陷入局部最优的僵局,既不能产生实际的社会应用,也不能兼顾人文、社会学、历史、美学等领域,亟需一种统合性研究进行突破。符号学原理与方法提供了对文化进行系统性、层次性重构工具,能跨越多个学科领域,运用符号学原理对客家土楼文化进行研究,应是一个很值得拓展的领域。针对皮尔斯的三元符号模型对信息承载能力不足的弱点进行修正,以使其更适用于文化的符号学分析;增加导入"符事"元素,以记载与符号相关的故事,导入"符史"元素,以记载符号的演化历史。
Although the study of Hakka culture and Tulou culture has become a popular topic, the current research meets with a local optimal deadlock. It can neither be actually applied in society, nor be related to humanities, sociology, history, aesthetics and other fields, therefore it needs an integration for a breakthrough. The principle and method of semiotics provides a systematic tool for cultural reconstruction, which spans multiple disciplines and can prove to be valuable when used in Hakka Tulou studies. This paper tries to improve the information carrying capacity of Charles Sanders Peirce's three-dimensional symbolic model and to make it more suitable for the semiotic analysis of culture. It covers the elements of the'story of the symbol'to record the stories related to the symbol, and introduces th'ehistory of the symbol'to record the evolution of the symbol.
出处
《汕头大学学报(人文社会科学版)》
2017年第8期37-46,共10页
Journal of Shantou University(Humanities and Social Sciences Edition)
基金
福建省社会科学基金项目"多元符号树的‘客家土楼文化’民系文化模型建构研究"(FJ2016B157)
关键词
符号学
福建土楼
皮尔斯符号模型
semiotics
Fujian Tulou
Charles Sanders Peirce symbol model