冀中笙管乐与西安鼓乐比较研究

A Comparative Study on Wind-Pipe Music in Middle Hebei Province and Drum Music in Xi'an

冀中笙管乐与西安鼓乐都是以笙管为主导的乐器组合类型。这种乐器组合类型属于鼓吹乐的一种,在历史上与国家制度有密切的联系。鼓吹乐由于制度规定性在音乐本体(律调谱器曲)诸层面具有一致性。在"鼓吹乐系"俗化过程中,由于"乐"之性能加强,出现了区域间丰富的差异。冀中笙管乐、西安鼓乐所承载的乐器组合、乐器形制与宫调系统具有一致性、相通性的内涵,具体体现在十七苗笙、九孔管与七调为一体的存在,彰显中国音乐文化大传统在当下的积淀。二者在音乐本体又存在差异性内涵,这是对传统接衍与承载过程中,在相对稳定的前提下都产生了一定程度的变异所致。

Both wind-pipe music in middle Hebei province and drum music in Xi＇an fall into the category of the musical instruments combination format with wind and pipe instruments at the core. As a type of wind and drum music, it bore historically on country system. The ontological aspects of wind and drum music, namely melody, tone, score, instrument and the musical piece, show consistency and harmony owing to the institutional prescriptions. In the process of popularization, the musical entertainment of the wind and drum music was looming large, resulting in the wide variety between different regions. The shape and structure as well as combination formats of musical instruments in wind-pipe music in middle Hebei province and drum music in Xi＇an were connotatively consistent with the official mode of ancient Chinese music, which finds testimony in the musical instruments combination of wind-pipe music in middle Hebei Province as cultural tradition carried down across ages. The discrepancy in musical ontology of the two exists alongside their common features, which accrued in the process of evolution.