超越图像与形式——论国画写意艺术表现性的审美价值

Transcending Images and Forms——The Theory of Expressive Aesthetic Value of Traditional Chinese Freehand Painting

在艺术形式及语言多元化的时代,各种观念层出不穷。受商业文化以及信息技术的影响,我们难免在审美价值的取向上陷入偏颇,如图像的泛化和形式美感的感官化等。如何超越图像和形式的局限,冲出视觉文化的藩篱,中国传统文化精髓——书画艺术具有当代社会意义。通过对笔墨表现机制的分析,可挖掘国画写意艺术表现性的审美价值。

In the present era with diversified artistic forms and languages, various ideas emerge in an endless stream. Affected by the commercial culture and information technology, our orientation of aesthetic value is inevitably biased, such as the ubiquitous presence of image and sensitization of modality aesthetics perception. How to transcend the limitations of images and forms and break through the barrier of visual culture？ The art of calligraphy and painting, an emblem of Chinese traditional culture, has contemporary social significance. By analyzing perceptual mechanism through the performance of brush and ink, this paper attempts to tap the expressive aesthetic value of traditional Chinese freehand painting.