摘要
《诗经》中的《节南山》《巷伯》《崧高》《民》《?宫》诸篇都不是作者"自述其名"之作,整部《诗经》中并没有作者"自述其名"的情况。作为被乐官整理加工过的仪式乐歌,《诗经》中绝大部分篇目都是群体创作的结果,其所言之志绝大多数情况下也都非私人情志。《诗经》时代是注重群体的时代,而不是彰显自我意识的时代。
"Naming real author" shows neither of many pieces in The Book of Songs, such as Jie Nan Shan, Xiang Bo, Song Gao, Zheng Min, and Bi Gong, none of the whole masterpiece. As the collection of recomposed songs for sacrificial ceremonies by royal musicians, most of pieces came from the collective creation, so the ideals presented beyond any individual' s emotion in most cases. The Book of Songs sharped that era for the collective, not for the individual' s awareness.
作者
亓晴
Qi Qing(Research Center of Chinese Poetry, Capital Normal University, Beijing 100089, China)
出处
《学术交流》
CSSCI
北大核心
2017年第9期194-199,共6页
Academic Exchange
关键词
《诗经》
作者
自述其名
群体化
The Book of Songs
author
naming real author
the collective