辰山植物园矿坑花园,上海,中国

Chenshan Botanical Garden Mine Garden,Shanghai,China,2009

2007年7月5日第一次来到辰山西矿坑现场,那时对于矿坑改造的经验为零,但提前＂做功课＂并不是我的工作方式,有时经验（无论是直接还是间接）会让设计师丢掉某种本真,先验的空白更容易让自己在初到场地时跟随直觉的指引。在遣散了陪同人员之后,我开启了最喜欢的体验模式,一个人、一个本和一只笔。与摄影获取信息的全面、丰富但扁平化相比,快速纪录式的草图必然是场地阅读果断的提炼和呈现。面对行刑般的场地,压迫、眩晕、不安和绝望,第四自然让我体会到了作为人的渺小与伟大,设计对策也在笔的代言下渐渐清晰。

I came to Chenshan West Mine site for the first time on July 5, 2007. By then, I had no experience of the renovation of a pit. However, ＂doing homework＂ in advance is not my way of working. Sometimes experience （either directly or indirectly） might kill designers＇ genuine instinct. Without prior knowledge, it is easier for themselves to follow the intuition when they first arrive at the venue. After sending aside my accompanies, I began my favorite touring mode - mysel, alone with a notebook and a pen.