摘要
目的研究中国传统坐具框架椅的产生,探索传统器物的传承与创新的方法。方法床、榻是席地而坐时期的主要坐具,而屏风、凭几等是该时期的辅助器具,通过分析主要坐具与辅助器具之间的相互组合的方式,对照坐具由低到高转变之际所产生的框架椅的结构来说明框架椅产生的原因。结果匠人有目的地改变事物结构要素的次序并重新组合能引起事物功能的变化。结论新器物可以通过组合的方式产生,影响中国椅子发展的框架椅正是通过屏风、凭几、床榻几种原有器物之间不同的组合而产生的。
By studying the generation of frame chair, we can find a way to review inheritance and innovation of tradi- tional implements, In the period of sitting on the floor, bed and couch were the main Seats, and the screen and pingji were assistive devices. Through the analysis of their mutual combination, we can find the relationship between this structure and frame chair, and illustrating the cause of frame chair, which generated in the sitting status from low to high transfor- mation. Artisan breaks the routine and purposefully changes the order of things or structural elements, and then assembled again to from a new function New artifacts can be produced by means of combination, because of the combination of several artifacts which include the screen, pingji and beds, resulting in the frame chair which seriously impacts the de- velopment of China's chair.
出处
《包装工程》
CAS
北大核心
2017年第18期239-243,共5页
Packaging Engineering
关键词
组合
魏晋时期
家具
框架椅
Combination
Wei-Jin period
furniture
frame chair