民间小戏：农民共同体文化圈之戏剧--以明清甘陕乡村民间小戏为主要讨论对象

Short Folk Plays:Theater for Peasant Cultural Community——A Study on Folk Theater of Gansu & Shaanxi in Ming and Qing Dynasties

以往讨论民间小戏,大都以戏曲表演为参照,其实,民间小戏有形成自己独特品质的文化渊源和演进轨迹。根据钟敬文对民间文化空间的再分层理论,通过对流播于明清甘、陕乡村民间小戏的考察,民间小戏主要是"广大农民所创造和传承的文化"之一,作为这个文化圈依托精神信仰和价值观念的艺术载体,无论是传承传播主体、流播范围,还是展演功能等,都表征了民间小戏是以乡土社会农民共同体文化圈为主的民间戏剧。

When folk plays were discussed, they have been connected with the performance of traditional Chinese operas. In fact, folk plays have their own features of cultural origin and evolution track. According to Zhong Jingwen＇s theory of re-stratification of folk culture space, folk plays are categorized as the low culture which is created and inherited by peasants. As artistic carriers based on spiritual beliefs and values in this cultural community circle, Whether folk plays inherit the subject of communication, cover the range of broadcasting, or play the function of exhibition, all of these indicate that short folk plays belong to folk theater based on the local peasant community culture circle.