革命实践的马克思主义文艺观——冯雪峰文论重估

Marxist Literary and Art Viewpoint in Revolutionary Practice——Re-appraisal of Feng Xuefung's Theory of Literature

在重构中国马克思主义文艺理论的当下 ,冯雪峰是最值得重视的人物之一。在政治气氛浓烈的 30年代 ,他从实践出发阐发马克思主义文艺理论 ,强调文艺、政治和生活的本质同一关系 ,主张创作主体的主观能动性 ,坚持实践意义的文艺批评方法 ,见出他对马克思主义文艺理论精髓的领会与创造性发挥 ,以及追求真理的勇气。重估冯雪峰的文艺理论 ,给予他应有的评价 ,并指出他处于那个历史时期所难免的缺憾 ,是本文的要旨。

Feng Xuefeng was one of big shots we ought to pay most attention to at present time when re-building up Marxist literary and art theory in China. In 1930ies, in which the political atmosphere was dense and intense, he elucidated Marxist literary and art theory from practice, emphasizing the identical relation of the essence in literature and art, politics, and life, advocating subjective activity of creation mainbody, and insisting on the method of literary or art criticism in practical significance. It can be seen that he had mastered the quintessence of Marxist literary and art theory and brought into play creatively, and that he had pursued truth courageously. It is the essential point of the dissertation to re-appraise his literary and art theory, to give him deserved evaluation, and to point out the inevitable shortcomings under the historical circumstances.