摘要
郭小东《1966的獒》以追忆的笔法再现了少年郭亚雷在"文革"时期的经历。郭亚雷在现实生活中家庭分离,交际孤立,最终选择与獒犬"远方"为伴,安抚内心世界的痛苦与矛盾。面对"看不见的伤口"这一高度凝聚的意象,郭小东以拒绝遗忘的态度表达了对历史的深刻反思。小说中的"远方"具有追求自由和美好、肯定希望与未来的寓意。
The MASTIFF of 1966 recalls the life experience of the teenager Guo Yalei in the Cultural Rev- olution. He suffered from family seperation, so he chose to live with the mastiff named ＂YUAN Fang＂ to comfort his painful and contradictory inner world. GUO Xiaodong shows his personal profound introspection of history in an unforgetful manner to the greatly condensed image-‘the invisible wound’. The implication of ‘YUAN Fang’ is the pursuit of freedom and beauty, believing in the future and the hope.
出处
《无锡职业技术学院学报》
2017年第5期79-82,共4页
Journal of Wuxi Institute of Technology
关键词
1966的獒
郭亚雷
创伤性经历
远方
The MASTIFF of 1966
Guo Yalei
traumatic experience
YUAN Fang
