摘要
在中西近代美学史上 ,相继出现了崇高这一审美范畴。中国近代崇高理论 ,由于历史、社会诸多原因的影响 ,其主客对立性发展不够充分 ,而其统一性却一直占主导地位。西方近代崇高在其历史发展中 ,主客对立很明显 ,很彻底 ,因此其统一性就比较微弱。尽管中西崇高在近代存在着如此差异性 ,但从现代性的发展态势看 ,它们都将会以统一性作为未来的祈向。
The concept of 'Sublimity' appeared successively as a category of aesthetics in Chinese and western history.The Chinese sublimity,because of history,society and so on,didn't develop compoletly on the subject and the object,so it was guided by unity.The western sublimity came out with the obvious oppostion between subject and object,but unity was so faint.Owing to this difference of modern sublimity,unification should be the developing direction during the contemprary Chinese and western.The Chinese sublimity should also be history dialectical unification with concrete facts.
出处
《宝鸡文理学院学报(社会科学版)》
2002年第3期32-35,共4页
Journal of Baoji University of Arts and Sciences:Social Science Edition
关键词
崇高
近代
现代性
主客体关系
sublimity
modern
modernity
subject and object