戏曲形神观视野下的舞蹈角色表演

The Dance Characters Performing in the Perspective of Form and Spirit Concept of Chinese Traditional Operas

中国戏曲在漫长的民族文化积淀中,经过千锤百炼的艺术实践,已然形成了一套完备且系统的表演体系,而这一庞大表演体系的核心要旨则是戏曲舞台形象塑造所遵从的形神观。本文通过对戏曲表演形神观的剖析,发掘出立形与传神的手段与途径,厘清形与神在人物塑造过程中的相互关系,明确传神的阶段性变化,并与舞蹈角色表演进行横向比较,试图为舞蹈角色表演方法提供可资借鉴的实践经验与理论依据,以完善舞蹈表演艺术理论体系的构建。

Chinese Traditional Operas have established a complete and systematic performance structure after thousands of years of practicing. Yet,the core of this performance structure is the form and spirit concept. This paper aims to explore the means and tools to establish form and spirit,to sort out the relationship of form and spirit when portraying characters in traditional opera performance,to clarify the progressive transformation when establishing the spirit,and to compare dance character portrayal with the form and spirit concept in traditional opera performance. The paper attempts to provide practical experiences and theoretical bases for dance character performing,and to make a contribution to dance performing theories.