门文元舞剧创作叙事特点研究

The Narrative Characteristics of Men Wenyuan's Dance Drama Choreography

近二十年来,门文元的舞剧创作取得了突出成就,因此成为当今我国舞剧研究的重要课题。本文主要以《阿炳》(1999)、《红河谷》(2004)、《西施》(2007)、《金陵十三钗》(2013)等几部舞剧为例,从叙事视角、叙事话语两个方面对叙事艺术特色进行分析,总结出其舞剧创作的一些叙事艺术特点:一、多重叙事视角与人文关怀的充分体现。其中包括两方面:1.全知视角的展现与人文关怀的流露;2.内聚焦视角的巧妙运用与人文关怀的渗透。二、富有鲜明指征性和隐喻性的叙事话语。如在身体叙事话语上表现为:1.善于挖掘不同人物角色的形态特点与符号特征来塑造人物形象;2.善于利用不同人物点之间的构图与调度来结构人物关系,揭示矛盾冲突等等。在舞美叙事话语上表现为:1.善于使用具有隐喻功能和象征性的道具来结构多重语意;2.善于使用极富象征性的舞美灯光布景设置来呈现环境、营造意境,从而叙事寓意。在音乐叙事话语上表现为:1.善于用具有极强指征性的声效来暗示剧情,显现人物心理,营造时空场景;2.善于将充满人文关怀的乐曲运用在舞剧叙事中。

During the last twenty years,Men Wenyuan＇s dance drama creation has attracted much attention and become one of the important fields of Chinese dance drama research. This paper focuses on Men ＇s four dance dramas,and summarizes the artistic characteristics of the narrative perspective and narrative language. The first characteristic is multiple narrative perspectives and revelation of humanistic concern. The second characteristic is the narration language of direction and metaphor,which is exhibited in the body language in the following aspects： the application of different morphological characteristics and symbols for shaping figures;the application of different modes of composition and management for constructing character relation and revealing conflicts. The characteristic of stage art narration also includes the metaphorical scene and the metaphorical lighting. The characteristic of music narration language includes the metaphorical sound to imply the story and the character＇s emotion; the musical language of humanistic concern.