汉代男子舞蹈形象创作初探——以作品《水墨游龙》为例

A Preliminary Study on the Creation of Male Dance Image in Han Dynasty:a Case Study of Flying Dragon in Ink

汉代是整个中国传统舞蹈的奠基时期,有着典型的古代舞蹈艺术的风范,具有鲜明的时代美学特征,并为之后唐代乐舞的繁荣发展奠定了坚实的基础。因此,编创带有汉代风骨形象的男子中国古典舞就需要去挖掘汉代舞蹈的历史印记,追索汉代舞蹈的美学风范,才能塑造出具有浓厚民族特色、具有鲜明汉代气魄的舞蹈。在现今汉代舞蹈作品创作中,最为常见的就是以女乐为主题的女性舞蹈题材的作品,经过长时间的积累和发展,可以说汉代女性舞蹈的语言和语汇有了一定积淀,然而汉代男子舞蹈资源的挖掘、整理、提炼以及开发却显得捉襟见肘。本文以《水墨游龙》这一汉代男性形象的编创研究型舞蹈作品作为案例,从汉代男子舞蹈形象的塑造入手,分析其形象塑造中对舞姿转换、调度流动的特殊选择,最后探讨其形象塑造时的再现到表现的意象化表达,从而论证《水墨游龙》是将汉代舞蹈放在社会文化母体系统之中进行研究和编创的作品。

The Han Dynasty is the foundational period of Chinese traditional dance with the instinctive aesthetic features,and paves the way for the prosperity and development of the Tang dynasty dance. Therefore,it is necessary to explore the history and trace back the aesthetic style of the Han Dynasty dance in order to create the male Chinese classical dance image with the Han Dynasty style of strong national characteristics and an outstanding Han Dynastic features. This paper,based on the case study of Flying Dragon in Ink,a dance work focusing on the male dancing image of Han Dynasty,analyzes the transformation of the dancing postures and the special selection of the stage direction during the process of the image building,exploring the imagery ways of expression based on the image representation. The paper argues that the choreographer indeed creates the work on the basis of history respect,and the work is the cultural expression of male dancing image of Han Dynasty in the context of the historical and social system.