从黎族传统手工艺看人类早期造物的身体维度

On the Body Dimension of Human Early Creation from the Traditional Handicrafts of Li in Hainan

本文从手工技艺的"具身性"特点出发,以"身体技术"作为切入点,通过黎族传统纺织、制陶、雕刻等多种技艺的调查,并结合相关技艺的技术史文献分析比较,由此窥见早期人类社会手工技艺中身体的价值。身体的工具性不仅体现在造物的过程中,还体现在造物的参照尺度。本文发现,在黎族传统工艺中,不同工艺的具身化的程度是不一样的。工艺技术越复杂,对人的技艺要求越高,其具身性就越强;工艺技术越简单,身体作为工具的程度就越强,同时也难以形成劳动分工和独立的手工业。由此,笔者认为对身体的研究是对手工艺研究的主要途径之一,尤其在当前非物质文化语境下,身体技艺的习得是手工艺延续与传承之根本所在。

This article starts with the characteristics of ＂ embodiment ＂ of handicrafts, Taking ＂ techniques of the body ＂ as the breakthrough point, through the investigation of Li traditional clothing, pottery, sculpture and other art, combined with the related art history of technology of comparative literature analysis, This glimpse of early human society into body art in the value of handicraft. The instrument of the body is not only reflected in the process of creation, but also in the reference scale of creation. Article discovery, In the traditional process of Li nationality, the degree of the different process is different. The more complex the process technology is, the higher the requirements of the arts and crafts, the stronger the body; The simpler technology, the stronger the body as a tool, but also difficult to form a division of labor and independent handicraft industry. Therefore, the study of the body is one of the main approaches to the opponent＇s research, especially in the current context of intangible culture, the acquisition of the body art is the fundamental of the continuation and inheritance of handicraft.