摘要
苗族古老的蜡染纹样风格独特,丰富的装饰效果基于"九宫格"、"米字格"的结构特征变化而来,其绘制方法简单易学,变化形式丰富多样,通过母亲教女儿的方式,世代相传。本文通过记录蜡染纹样的绘制程序及纹样的变化,研究传统设计方法及其背后的造物思想。
The style of Miao nationality＇s ancient batik pattern is unique and the rich decorative effect comes from the structure of ＂Nine rectangle grid＂ and ＂Mizi grid＂. The drawing method is easy to learn and the pattern forms are varied, which is passed on from mother to daughter, generation to generation. This paper studies the traditional design method and the thought of creation behind it by recording the drawing process and change of the batik pattern.
出处
《艺术设计研究》
CSSCI
2017年第3期125-128,共4页
Art & Design Research
基金
北京市科学技术委员会"设计之都"建设领域重大项目--中国传统服饰文化元素提取与再开发平台建设(项目编号:ZXKY03160404)研究成果
关键词
蜡染纹样
苗族
程序
九宫格
米字格
Batik pattern
Miao nationality
Process
Nine rectangle grid
Mizi grid
